Who is warren beatty dating

In Daphne du Maurier's novella it is Laura that wears a red coat, but in the film the colour is used to establish an association between Christine and the elusive figure that John keeps catching glimpses of.

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Sometime after the drowning of their young daughter, Christine (Sharon Williams), in a tragic accident at their English country home, John Baxter (Donald Sutherland) and his grief-stricken wife, Laura (Julie Christie), take a trip to Venice after John accepts a commission from a bishop (Massimo Serato) to restore an ancient church.

Laura encounters two elderly sisters, Heather (Hilary Mason) and Wendy (Clelia Matania), at a restaurant where she and John are dining; Heather claims to be psychic and—despite being blind—informs Laura she is able to "see" the Baxters' deceased daughter.

The next day, Laura meets with Heather and Wendy, who hold a séance to try to contact Christine.

When she returns to the hotel Laura informs John that Christine has said he is in danger and must leave Venice.

Don't Look Now ostensibly is an occult thriller, The film's director, Nicolas Roeg, was intrigued by the idea of making "grief into the sole thrust of the film", noting that "Grief can separate people ...

Even the closest, healthiest relationship can come undone through grief." The presence of Christine, the Baxters' deceased daughter, weighs heavily on the mood of the film, as she and the nature of her death are constantly recalled through the film's imagery: there are regular flashbacks to Christine playing in her red coat as well as the sightings of the mysterious childlike figure also wearing a red coat which bears a likeness to her; the constant association of water with death is maintained via a serial-killer sub-plot, which sees victims periodically dragged from the canals; there is also a poignant moment when John fishes a child's doll out of a canal just as he did with his daughter's body at the beginning of the film.

For the short story by Daphne du Maurier from which it is adapted and the collection it appears in, see Not After Midnight.

For other uses, see Don't Look Now (disambiguation).) is a 1973 independent British-Italian film directed by Nicolas Roeg.

Shortly after returning, Heather slips into a trance so John makes his excuses and quickly leaves.

Upon coming out of it she pleads with her sister to go after John, sensing that something terrible is about to happen, but Wendy is unable to catch up with him.

Meanwhile, John catches another glimpse of the mysterious figure in red and this time pursues it.

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