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How many times can a good-looking, young, green progressive crusader expose a corporate pollution plot, or battle a deranged band of southern-twangy Neanderthals, South African racists, or Russian tattooed thugs, or a deep-state CIA cabal in sunglasses and shiny suits? The ruling generation in Hollywood is out of creative ideas mostly because it invested in political melodrama rather than human tragedy.How many times can the nth remake of a comic-book hero be justified by updating him into a caped social-justice warrior from L. It cannot make a Western, not just because Santa Monica’s young men long ago lost the ability to sound or act like Texans in 1880, but because its politics have no patience with the real world of noble people who are often doomed, or flawed individuals who are nevertheless defined by their best rather than worst traits, or well-meaning souls who can cause havoc, or courageous men who fight for bad causes.They wanted some bruised ex-gladiators who knew the blood and smell of the arena to give them some firsthand insight into sports heroics.

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We lament political correctness and Stalinism on campuses, but the real crime is the ignorance that empowers it.

The unspoken fuel that drives so many protests on campus is the self-awareness that so many students simply cannot do traditional college work and desire weaker courses, personal exemptions, and time off.

ince the Trojan War, generations have always trashed their own age in comparison to ages past.

The idea of fated decadence and decline was a specialty of 19th-century German philosophy.

“Watergate” is a name dropped daily, but few journalists know anything about the genesis or nature of that scandal, the same way that referencing “Ferguson” omits its fraud and fantasies that even Eric Holder’s Justice Department was forced to concede.

In the 1950s, the university had evolved beyond being a bastion of eccentricity, nonconformity, and free expression, as tweedy scholars and old-style elbow-patched liberal academics were displaced by hip voices railing against supposedly clueless straight culture.

Political correctness has become Maoist: All art must serve progressive struggle, defined in Hollywood as good race and gender warriors pitted against bad racists and sexists. All the cleavage, flexed biceps, cheap obscenity, rap-music scores, and car crashes cannot hide that lack of an idea.

This generation’s NFL apparat, the ESPN commentariat, and the higher-education administrative cadre also reveal generational symptoms of exhaustion.

A sense of student inferiority naturally leads to demands for everything but a more comprehensive education.

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