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For Feòrag, with love This book took me five years to write – a personal record – and would not exist without the support and encouragement of a host of friends, and several friendly editors.

(If your name isn't on this list, blame my memory – my neural prostheses are off-line.) I mentioned several friendly editors earlier: I relied on the talented midwifery of Gardner Dozois, who edited Asimov's Science Fiction Magazine at the time, and Sheila Williams, who quietly and diligently kept the wheels rolling.

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Among the many people who read and commented on the early drafts are: Andrew J.

Wilson, Stef Pearson, Gav Inglis, Andrew Ferguson, Jack Deighton, Jane Mc Kie, Hannu Rajaniemi, Martin Page, Stephen Christian, Simon Bisson, Paul Fraser, Dave Clements, Ken Mac Leod, Damien Broderick, Damon Sicore, Cory Doctorow, Emmet O'Brien, Andrew Ducker, Warren Ellis, and Peter Hollo.

This is getting weird enough to trip his weird-out meter, and that takes some doing.

Manfred's whole life is lived on the bleeding edge of strangeness, fifteen minutes into everyone else's future, and he's normally in complete control – but at times like this he gets a frisson of fear, a sense that he might just have missed the correct turn on reality's approach road. Let me get this straight, you claim to be some kind of AI, working for KGB dot RU, and you're afraid of a copyright infringement lawsuit over your translator semiotics?

A tourist boat putters by in the canal; the sails of the huge windmill overhead cast long, cool shadows across the road. "Am organization formerly known as KGB dot RU." "I think your translator's broken." He holds the phone to his ear carefully, as if it's made of smoke-thin aerogel, tenuous as the sanity of the being on the other end of the line. Am apologize for we not use commercial translation software.

The windmill is a machine for lifting water, turning wind power into dry land: trading energy for space, sixteenth-century style. Interpreters are ideologically suspect, mostly have capitalist semiotics and pay-per-use APIs. " Manfred drains his beer glass, sets it down, stands up, and begins to walk along the main road, phone glued to the side of his head."Fucking Cold War hangover losers," he swears under his breath, quite angry, partly at himself for losing his cool and partly at the harassing entity behind the anonymous phone call." capitalist spooks." Russia has been back under the thumb of the apparatchiks for fifteen years now, its brief flirtation with anarchocapitalism replaced by Brezhnevite dirigisme and Putinesque puritanism, and it's no surprise that the wall's crumbling – but it looks like they haven't learned anything from the current woes afflicting the United States.Dijkstra Manfred's on the road again, making strangers rich.It's a hot summer Tuesday, and he's standing in the plaza in front of the Centraal Station with his eyeballs powered up and the sunlight jangling off the canal, motor scooters and kamikaze cyclists whizzing past and tourists chattering on every side." "Am have been badly burned by viral end-user license agreements.

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