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Co-written and directed by Andres Muschietti, Mama shows how it boils down to story, building upon his short film of the same name some 5 years ago, and a solid cast to gloss over the expected bag of tricks.Many of the clichés were put to good effect, which in some ways you'd come to expect certain things to happen in a certain way, and they did.

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Andres Muschietti is the name to watch now for taking something that's expected to be cliché in a horror film, but fulfilled more than you'd bargain for.

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And credit must go to Muschietti and his DP Antonio Riestra for having framed the initial introduction to the ghoulish elements that went for maximum WTF surprises, especially with sleight of hand techniques that didn't jar the narrative, nor relied on the necessity of a jump cut edit to hammer home its creepier moments.

It grows, slowly, and that's one master stroke Mama had that worked wonders.

Lucas, his girlfriend Annabel, Victoria and Lilly move into a house provided by the institute that Dr. There are about 3 other times when it's supposedly nighttime and the light is streaming in through the windows.

See more » The title may be tacky, but this Canadian-Spanish co-production, with Guillermo del Toro lending his name as producer, is one of the better horror films to have come out from the West in recent years, despite being filled with the usual clichés, actually contain a proper story, and delivered really well in terms of chills, thrills and everything that's necessary to creep you out and make you jump at your seat.

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This is the second film in a row that had its child actors provide top notch performances.

Megan Charpentier and Isabelle Nelisse play sisters, who with the aid of CG move around complete with unnatural mannerisms, having it in term to creep you out, before having to develop their characters into emotional cores that added a lot more depth to this film as it steamrolls its way to the finale.

Liberal use of CG also helped, but never done in slip-shoddy fashion, which added a layer of positive production values to the film.

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